SIGNALstream

  • RSS feed
  • Archive
  • Scientific Curiosity Captured in Photos →

    2 years ago 0 notes →

  • The city, solved

    The city, solved

    2 years ago 0 notes →

  • (via theworldwelivein)

    2 years ago 7,764 notes →

  • 
Grids are for cities that weren’t villages to begin with. 

    Grids are for cities that weren’t villages to begin with. 

    (Source: lydiamar, via fuckyeahcartography)

    2 years ago 197 notes →

  • (Source: sfgate.com)

    2 years ago 0 notes →

  • purple-diary:

House by Doug Aitken, Los Angeles
The Los Angeles-based gallery Regen Projects presents Doug Aitken’s most recent film House. His video revolves around a couple stoically seated at a table in a house — Aitken’s own parents in his own house, in fact. Facing one another, his parents’ gaze is locked as debris and fragments of the house fall around them. The two protagonists remain indifferent as the house crumbles and disappears, emphasizing the contrast between action and inaction. Aitken has installed a mass of wood scraps and other debris around them, playing in echoes with the video installation. Expanding the diegetic of the film, this debris becomes part of the narrative and complexiflies the spectator’s perception. He distorts the spatio-temporal domain traditionally devolved to the video and allows an immersion outside the expected frame. House by Doug Aitken runs until December 18 at Regen Projects, 633 Nort Almont Drive, Los Angeles. Text Pierre-Alexandre Mateos

    purple-diary:

    House by Doug Aitken, Los Angeles

    The Los Angeles-based gallery Regen Projects presents Doug Aitken’s most recent film House. His video revolves around a couple stoically seated at a table in a house — Aitken’s own parents in his own house, in fact. Facing one another, his parents’ gaze is locked as debris and fragments of the house fall around them. The two protagonists remain indifferent as the house crumbles and disappears, emphasizing the contrast between action and inaction. Aitken has installed a mass of wood scraps and other debris around them, playing in echoes with the video installation. Expanding the diegetic of the film, this debris becomes part of the narrative and complexiflies the spectator’s perception. He distorts the spatio-temporal domain traditionally devolved to the video and allows an immersion outside the expected frame. House by Doug Aitken runs until December 18 at Regen Projects, 633 Nort Almont Drive, Los Angeles. Text Pierre-Alexandre Mateos

    (Source: )

    2 years ago 1,298 notes →

  • cmonstah:

From the Department of Whoa: Fiona Banner at Tate Britain, on view through Jan. 3. (As seen on We Make Money Not Art.)

    cmonstah:

    From the Department of Whoa: Fiona Banner at Tate Britain, on view through Jan. 3. (As seen on We Make Money Not Art.)

    2 years ago 2,291 notes →

  • Amazing Yemen

    Amazing Yemen

    2 years ago 0 notes →

  • theeconomist:

B.R., a reader in Washington, DC who has just returned from a trip to  Vietnam, sent us this image with a single line of explanation: “An  unregulated telecoms infrastructure”.

    theeconomist:

    B.R., a reader in Washington, DC who has just returned from a trip to Vietnam, sent us this image with a single line of explanation: “An unregulated telecoms infrastructure”.

    2 years ago 63 notes →

  • Matthew Rangel  Stronghold - Due East from Moro Rock  (lithograph, 2010)



Via a transect–Due East 

    Matthew Rangel  Stronghold - Due East from Moro Rock  (lithograph, 2010)

    Via a transect–Due East 

    2 years ago 143 notes →

← Previous Page Next Page →

simpl theme by Saophalkun Ponlu 2010 — Licensed under Creative Comments Attribution-Share Alike.